Tuesday, July 31, 2007

A Good Ole Southern Road Trip

I just got back home after nearly two weeks at the beach and I have to say that I have missed blogging. It's growing on me. A long stint at the beach is a hard life, I admit, but it was for the purpose of eliminating all distractions (read: internet connectivity) and to get some quality writing done on my dissertation. I returned home happily, having accomplished a lot, including my first real tan in about 10 years! I also did a good bit of pleasure reading, finishing The Shadow of the Wind, the new Harry Potter book and making a nice dent in Maya Angelou's Heart of a Woman. Reviews are in the works.

In the meantime, the clock has been ticking away--the Southern Reading Challenge Sense of Place Contest ends today! My husband and I are trying so hard to create our own sense of place, having made a offer on this lovely house this past weekend. Doesn't seem like this one will work out, but who knows. It does look really homey, though, doesn't it? I can picture some comfy rockers on the front porch, maybe some ferns hanging from above... If not this one, maybe something else (and even better!) will come along.


Flannery O'Connor had a beautiful homeplace on her farm, Andalusia. Her room, where she wrote the majority of her works, was in the front left corner of the country plantation below. The tree-lined dirt road leads up to the front door. Her peacocks roamed the grounds at will, harassing visitors and feasting on her flowers. There are no longer any peacocks on the grounds, but it's not difficult to imagine them.

So, here's my sense of place entry. Not really fair of me to use so many pictures, but I had fun with this! Great idea, Maggie!

These excerpts from "A Good Man is Hard to Find" remind me of driving up the old dirt road to O'Connor's home. I like to think that one can at least partially experience the sense of place that she creates here when visiting Andalusia.

The grandmother didn't want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey's mind. Bailey was the son she lived with, her only boy. [...]

The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath, she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself. Her son, Bailey didn't like to arrive at a motel with a cat. [...]

She said that it was going to be a good day for driving [...]. She pointed out interesting details of the scenery: Stone Mountain; the blue granite that in some places came up to both sides of the highway; the brilliant red clay banks slightly streaked with purple; and the various crops that made rows of green lace-work on the ground. [...]

The grandmother took cat naps and woke up every few minutes with her own snoring. Outside of Toombsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady. She said the house had six white columns across the front and that there was an avenue of oaks leading up to it [...].

They turned onto the dirt road and the car raced roughly
along in a swirl of pink dust. The grandmother recalled the times when there were no paved roads and thirty miles was a day's journey.


Saturday, July 14, 2007

Creating a sense of place

During her fantastic Southern Reading Challenge this summer, "rockin' girl blogger" Maggie is holding a Sense of Place Contest in which participants choose a passage from one of their reading selections and post a picture that illustrates the quote. This is a great way to help us recreate, or at least to better imagine, the atmosphere of southern literature. This is a quite appropriate companion to our reading challenge, as the below sign posted at the home of late southern author Flannery O'Connor illustrates (apologies for the poor quality of the picture, not sure why that happened).


In case you can't read it, here are the first couple of lines transcribed:

The agricultural setting of Andalusia, with its laborers, buildings, equipment, and animals, figures prominently in Flannery O'Connor's work. Southern fiction places great emphasis on a sense of place, where the landscape becomes a major focus in the shaping of the action.

Iliana at Bookgirl's Nightstand posted this entry. I'm planning on entering, too, probably with a quote/photo from Flannery O'Connor. In the meantime, the contest has gotten me thinking about how other authors and artists create a sense of place in their respective works.

Last night, my baby brother and I (though technically, he's not really my baby brother anymore since he's nearly 25) went to the Decemberists' concert at Chastain Park in Atlanta, GA. I am a big fan of this band because they express such creativity. Their songs are actual stories that are interesting in their own right. The lyrics often read nicely even without the music, often quite literary, inspired by folk tales (the three Crane Wife songs are based on a Japanese tale), historical anecdotes, or literature and evoke a distinct setting and atmosphere. For example, on the latest album (The Crane Wife) the song Yankee Bayonet is a Civil War story of lost love that very successfully carves out a sense of place: the foothills of the Blue Ridge mountains. Read the lyrics, listen to the song, and contemplate its landscape--the foothills of Oconee County, South Carolina.

"Yankee Bayonet (I Will Be Home Then)"

Heart-carved tree trunk, Yankee bayonet
A sweetheart left behind
Far from the hills of the sea-swelled Carolinas
That's where my true love lies

Look for me when the sun-bright swallow
Sings upon the birch bough high
But you are in the ground with the voles and the weevils
All a'chew upon your bones so dry

But when the sun breaks
To no more bulletin battle-cry
Then will you make a grave
For I will be home then
I will be home then
I will be home then
I will be home then
Then

When I was a girl how the hills of Oconee
Made a seam to hem me in
There at the fair when our eyes caught, careless
Got my heart right pierced by a pin

But oh, did you see all the dead of Manassas
All the bellies and the bones and the bile
Though I lingered here with the blankets barren
And my own belly big with child

But when the sun breaks
To no more bulletin battle-cry
Then will you make a grave
For I will be home then
I will be home then
I will be home then
I will be home then

Stems and bones and stone walls too
Could keep me from you
Scaly skin is all too few
To keep me from you

But oh my love, though our bodies may be parted
Though our skin may not touch skin
Look for me with the sun-bright sparrow
I will come on the breath of the wind


Here's a little glimpse of the concert: